When I first started reading I thought eh, so what? But then when you mention that the work changes in real time, I thought, oh. Then when you said the work is interactive I mused, viewers will try to provoke destruction, just to see what happens. When you confirmed that this is why interactions are not permitted, I realized the true existential value of the work.
Brilliantly fascinating article- love to see it - wonder if it will tour.. Oddly we were discussing Alexia’s digital work and its surprisingly many layers with Faunsia and other creatives yesterday as they dropped by to celebrate Faunsia’s birthday enroute to her annual gathering with a big group of friends.Hope I can forward your article! Happy Easter to you all! Anita
Happy Easter, Anita. One of Alexia's beautiful cards is sitting on our shelves. When I opened it last week, I instantly knew from the distinctive style who created it.
When I first started reading I thought eh, so what? But then when you mention that the work changes in real time, I thought, oh. Then when you said the work is interactive I mused, viewers will try to provoke destruction, just to see what happens. When you confirmed that this is why interactions are not permitted, I realized the true existential value of the work.
Exactly. It's a good metaphor for increasing war and interaction in our current world.
Eye opening, Dom. Thanks!
Thanks Donald!
Brilliantly fascinating article- love to see it - wonder if it will tour.. Oddly we were discussing Alexia’s digital work and its surprisingly many layers with Faunsia and other creatives yesterday as they dropped by to celebrate Faunsia’s birthday enroute to her annual gathering with a big group of friends.Hope I can forward your article! Happy Easter to you all! Anita
Happy Easter, Anita. One of Alexia's beautiful cards is sitting on our shelves. When I opened it last week, I instantly knew from the distinctive style who created it.
So cool! Happy Easter to you all!